Tag Archive | "Calgary Philharmonic Orchestra"

Job Board

Job Board

AUDITIONS

Calgary Philharmonic Orchestra
Section 1st and 2nd Violin / 1e et 2e violon de section
Application deadline/Date limite : March 10 mars 2012

Regina Symphony Orchestra
Concertmaster
Application deadline/Date limite : April 9 avril 2012

Thunder Bay Symphony Orchestra
Principal Clarinet / Clarinette solo
Section Trumpet / Trompette section
Section Cello / Violoncelle section
Application deadline/Date limite : March 16 mars 2012

 

CONDUCTORS / DIRECTEURS MUSICAUX

PEI Symphony Orchestra
Guest Conductor
Application deadline/Date limite : March 31  mars 2012

Posted in Job Board Postings, Orchestra News, Weekly NewsletterComments (0)

Heart-warming Gift in Calgary

Heart-warming Gift in Calgary

The Calgary Philharmonic Orchestra has just received a donation of $1 million from longtime CPO supporters, John and Ethelene (Eddie) Gareau. Inspired by the 36-year service and musical leadership of the CPO’s former Concertmaster, Cenek Vrba (who retired in May 2011), the gift is directed to the CPO Foundation, and will be recognized through naming the Concertmaster chair.

The donors clearly know and understand the CPO and its musicians. As John Gareau says, “Cenek is an outstanding violinist. I have admired his leadership in the ensemble over the years. He’s been a very strong centralizing force for the orchestra. Besides, Eddie and I truly like Cenek personally. His playing has brought us so much joy over the years that we wanted to recognize him and let people know how much he has elevated the orchestra with his musicianship and excellent leadership.” Gareau continues, “It’s not just about survival, it’s about growth. The Orchestra is one of the most important things I’ve ever been involved with. Eddie and I want to make this gift now so we can enjoy the benefits in the concert hall!”

Posted in Orchestra News, Weekly NewsletterComments (0)

John Williams Tribute in Calgary

John Williams Tribute in Calgary

On first glance, last weekend’s concerts by the Calgary Philharmonic Orchestra looked like a spectacular – but not particularly unusual – tribute to American movie music master, John Williams, with familiar music from throughout Williams’ storied career.

When we took a second look at the media release, though, we realized that the CPO had organized more than your usual night at the pops.

What was different?

Concert goers could take part in both pre-concert AND post-concert talks – and the Jack Singer Concert Hall lobby would be taken over by displays of “all things John Williams” and such special guests as “Storm Troopers from the Badlands Garrison, an all-volunteer group of Star Wars enthusiasts of all ages who make their own professional-grade costumes…the local representative of the 501st Legion, a worldwide Star Wars organization run by fans that is Lucasfilm’s preferred Imperial costuming group”.

The event comes on the heels of last year’s CPO Star Trek concerts, events that included a lobby appearance by the citizens of Vulcan, AB, selling Spock ears to eager concert patrons. We decided we had to know more, so we contacted CPO publicist Sheryl Ratcliff and Marketing and Sales Director Marylou Bennetts to pose a few questions. Here’s what we learned.

What is it with the Calgary Philharmonic Orchestra, your patrons, and inter-galactic adventures? Do I detect a theme?

Yes there is a theme… we love to be able to present concerts that appeal to a wide demographic. It helps to break down the barriers and provides a great entry point to the Orchestra. People feel comfortable coming to a concert where they know the music and we get a lot of feedback about how they are just blown away by hearing the music they love performed live with Orchestra.

More than just inter-galactic adventures, we strive to provide a “whole experience” for our audiences from the pre-show activities in the lobby right into the concert hall. We partner with a variety of organizations in our community including break-dancers and circus performers at our POPS concerts to animals from the Calgary Zoo and astronomers from the Science Centre at some of our Classics concerts. We even have a few themed post concert parties throughout the Season. These activities enhance our concert offerings for our patrons and they also provide us with a great opportunity to gain exposure to a potentially new patron base. The media are also interested in being able to talk about what is going on with the Orchestra in new ways.

Are you attracting new audiences with these initiatives? What proportion are first time patrons? Do you have specific initiatives in place to extend your relationship with them?

We definitely see an upswing of new faces in the concert hall when we perform shows like this. Over 20% of our ticket buyers for this weekends’ concert (Movie Masterpieces: The Classics of John Williams) are first timers. We strive to keep these new patrons engaged with the CPO after their initial concert experience. One way we do this is to add them to our email database and send them updates on shows that may be of similar interest to them in the future. We know that once they hear the Orchestra, they’ll be hooked, it’s just a matter of keeping the CPO top of mind as an entertainment choice.

What’s the difference between the content of your pre-concert talks and your post-concert Afterthoughts programs?

Our pre-concert chats are primarily geared towards our Classics Series concerts. Patrons can learn more about what to listen for and the historical context of the music. Afterthoughts, on the other hand, is a way for our audience to interact with our musicians, soloists and conductors and ask questions and give feedback about the performance itself. By involving our CPO musicians it gives the audiences a chance to get to know them as people beyond the performance they see on stage. Our Destination and Serenade Series feature student music ensembles performing pre-show in the lobby. This is a great opportunity to highlight the future talent and nurture on-going relationships with the many different music programs in our city.

Did the Badlands Garrison approach you, or did you approach them? How did you find out about them? Are they excited to be involved?

We have partnered with the Badlands Garrison several times in the past few years at different movie-themed concerts. We are always looking for people and groups that will enhance our audience’s experience. Calgary and the surrounding area have a lot of avid sci-fi fans who hold tradeshows and other events and we have been able to partner with them for mutually beneficial cross promotions. Of course everyone is always excited to be involved in events like this. We have had Halo soldiers at our Video Game concerts, elves and hobbits at our Lord of the Rings show and many, many sci-fi characters at our Star Trek performance – even our Director of Finance is dressing as Darth Vader to accompany the Storm Troopers at this weekend’s show. We encourage people to come in costume whenever possible!

What’s in the plans for next year? (and it’s okay if you can’t say just yet…)

While our plans for next year are still under wraps it is safe to say that our audiences can expect another season of classical giants, rock ‘n’ roll hits, family favourites, pop culture blockbusters and lobby excitement!

Our thanks to Marylou for answering our questions, and to Sheryl for providing pictures.

Posted in Orchestra News, Weekly NewsletterComments (0)

Innovative Orchestra Education Programs in Western Canada

Innovative Orchestra Education Programs in Western Canada

This week brought a pair of media releases about new and innovative community engagement programs developed by two western Canadian orchestras: the Regina Symphony Orchestra (RSO) and the Calgary Philharmonic Orchestra (CPO).

The RSO’s new program is entitled The Piapot Project, and it’s a multi-faceted effort to engage students at the Payepot School in making, understanding and hearing music, in close partnership with Piapot First Nation Chief Jeremy Fourhourns and the Band Council. The program includes weekly classes in music history, theory and performance, led by the RSO’s concertmaster, Eduard Minevich, and Ramses Calderon; regular trips to RSO concerts, at which the students can go backstage and meet musicians; and concerts by RSO musicians at Payepot School throughout the year. As well, 2012 marks the first year of a new Piapot Festival – a free one-day event featuring Regina Symphony Orchestra musicians, the “Amadeus Youth Orchestra” from Regina, and young musicians and dancers from other First Nations communities. In addition, the festival will offer storytelling, visual art displays, a Hip Hop workshop, face painting, and a kids’ area. At the end of the festival, all artists and musicians will band together to deliver an enormous, awe-inspiring collective performance.

The Regina Symphony Orchestra intends to use the Piapot Project as a model for music education programs at other First Nations schools in Saskatchewan. The Education and Outreach program initiatives also include over 40 concerts in Regina schools, a rural Saskatchewan education and concert program, and a “Build the Band” program at Campbell Collegiate.

Meanwhile, the Calgary Philharmonic Orchestra has just launched a new partnership with the LINKages Society of Alberta in a new project that will connect more than 400 Calgary junior and senior high school students with senior citizens through the shared experience of music.

According to the CPO’s media release, “LINKages promotes friendships and understanding between generations by pairing isolated seniors with teenagers in thoughtful programs that encourage intergenerational communication. These meaningful activities provide companionship and entertainment for both seniors and students alike while also instilling the values of volunteering in young people.”

Through this partnership, the CPO and LINKages will present ten performances by a pair of CPO musicians, with each presentation held at a different seniors’ residence or activity centre throughout the city. Each program will be attended by the seniors of the venue and group of students from the participating junior or senior high school.

“LINKages Society is excited about the partnership with the CPO,” says Debra Armstrong, that group’s Executive Director. “Young people are still developing their musical appreciation and exposing them to these opportunities opens dialogue to the historical significance of the times; from songs of the War, to the songs of protest during the 60’s, to present pop culture icons. What a treat for all ages!”

Posted in Orchestra News, Weekly NewsletterComments (0)

A Big Night for Gifted Young Calgary Musicians

A Big Night for Gifted Young Calgary Musicians

Last evening (January 10), the Calgary Philharmonic Orchestra (in partnership with the University of Calgary, and funded by the RBC Foundation) presented its second annual Concerto Competition. Five U of C students (two flutists, two pianists, and an erhu player) competed for the opportunity to perform with the orchestra as guest soloist and audition for a CPO guest conductor.

In the words of Edmond Agopian (professor of violin at the University of Calgary and the conductor for the evening), “the mentorship and performing opportunities provided by this event are unique in Canada….The support and nurturing of these deserving young artists is a testament to the great interest in the promotion of culture and musical education of the highest order of our young generation.”

The jury included William Jordan, Head of the University of Calgary Music Department, Laurie Radford of the University of Calgary Composition Faculty and Heather Slater, the Director of Artistic Operations at the Calgary Philharmonic Orchestra.

Posted in Orchestra News, Weekly NewsletterComments (1)

Singing Tweets Go Viral

Singing Tweets Go Viral

If you spend any time at all with social media, you may have encountered this already: a video of the Calgary Philharmonic Chorus singing crowd-sourced tips on how to stay warm during a Calgary winter, set to the “O Fortuna” movement of Carl Orff’s Carmina Burana, and recorded in the acoustically and visually sumptuous Jack Singer Concert Hall. The video is a partnership between the CPO and Tourism Calgary, and was released on December 1. Since then, it’s amassed more than 20,000 YouTube views, a profile on CNN, and has been posted on more than 60 blogs from around the world.

Between November 21 and November 24, 2011 Tourism Calgary reached out to twitter users asking “How do you stay warm in #YYC?” The submitted tweets that used the hashtag #cpowarmup or replied to the @Calgary Twitter handle were compiled and turned into a twitter first (based on internet and social media searches) – a tweet compilation sung by a philharmonic chorus.

Talking about the phenomenon, Timothy Shantz, Chorus Master of the Calgary Philharmonic Chorus said, “We know that our music making has an impact. We see that regularly in the concert hall and in the community, and it’s exciting to take it outside of the box once in a while.”

If you’ve somehow missed the video, you can find it here.

 

Posted in Orchestra News, Weekly NewsletterComments (0)

Extreme Virtuosity in Calgary

Extreme Virtuosity in Calgary

November 22 to December 3, the Calgary Philharmonic Orchestra presents Virtuosity! A Festival of Extreme Classics. As befits any orchestral festival worthy of the name, the CPO event (intriguingly sponsored by The Haskayne School of Business at the University of Calgary) blends orchestral performances, distinguished Canadian and international soloists, lectures, a film, and plenty of pre- and post-concert activity as well. Many of the festival activities are taking place in concert with the Classical Calgary partnership, a consortium that includes Honens International Piano Competition, Mount Royal Conservatory, Irene Besse Keyboards Ltd, the National Music Centre, Tourism Calgary, Fairmont Palliser and Downtown Calgary.

Featured soloists include no fewer than six laureates of the Honens Competition, Calgary’s own Jan Lisiecki, soprano Erin Wall, guitarist Yamandu Costa, and violinists Yi-Jia Hou and Nina Feng. Major works include Strauss’s Four Last Songs, Stravinsky’s Rite of Spring, and Liszt’s Hexaméron. For more information about the festival, and a detailed schedule, please visit cpo-live.com.

Posted in Orchestra News, Weekly NewsletterComments Off

Herbie Hancock and the Calgary Philharmonic Orchestra

Herbie Hancock and the Calgary Philharmonic Orchestra

Tonight, November 9, the Calgary Philharmonic Orchestra (led by resident conductor Melanie Leonard) gives a special concert (plus improvisations!) with 12-time Grammy Award winner and jazz icon Herbie Hancock.

The program includes Gershwin’s Promenade (Walking the Dog), An American in Paris, and Rhapsody in Blue, along with works by Hancock himself.

After the concert, fans are given the rare opportunity to get Up Close and Personal with Herbie Hancock at Teatro Ristorante.

Posted in Orchestra News, Weekly NewsletterComments Off

Calgary Philharmonic Launches Facebook Ticketing

Calgary Philharmonic Launches Facebook Ticketing

Last week, the Calgary Philharmonic Orchestra announced that its patrons and “fans” can now purchase tickets directly from the CPO’s page on Facebook, through technology provided by ShoWare™ Social Media Connect.

Not only can connected CPO patrons securely buy tickets directly from the CPO’s Facebook page (while the orchestra retains real-time inventory management), ticket buyers can also share news of their purchase with their networks, via Twitter and Facebook.

Speaking about the initiative, CPO Director of Marketing and Sales Marylou Bennetts says that “engaging fans on Facebook has become an increasingly core strategy of ours. Now people can buy tickets right from Facebook rather than have to leave and come to our site, so it’s one less step for them. The addition of Facebook ticketing is another way we can interact with our patrons and generate a positive customer experience.”

You can visit the CPO’s Facebook page here.

Posted in Orchestra News, Weekly NewsletterComments Off

What are you reading?

What are you reading?

We’ve got a pair of recommendations this week.

The first item is a report on the education programs of eight Canadian orchestras – the Calgary Philharmonic Orchestra, National Arts Centre Orchestra, Orchestra London, Ottawa Symphony Orchestra, Tafelmusik Baroque Orchestra, Thunder Bay Symphony Orchestra, Toronto Symphony Orchestra and the Winnipeg Symphony Orchestra. The evaluation was undertaken by Measured Outcome, an organization that undertakes collaborative, web-based research on the impact of charitable programs, and the process gave voice to the experiences of students, teachers and orchestral musicians involved in the programs.

Key learnings?
99% of participating adults and students found the programs valuable;
96% plan to return in a subsequent year;
61% of young people get their first (and only!) exposure to symphonic performance through a school visit, compared with 24% who attend with family and 15% who attend with friends;
Only 62% of the participating teachers make use of the Study Guide material provided, and of those, only 17% (or 10.5% of the total number of participating teachers) make use of the podcasts provided;
Teachers, students and performers consistently report that rowdy behavior by certain attendees detracts from the overall experience;
There are a number of opportunities to strengthen these already-valued programs.

The report was the subject of Orchestras Canada’s first webinar for the 2011-12 season, an event that brought together over 20 representatives from member orchestras from Victoria to Halifax. We are committed to continuing the discussion with our member orchestras, with the goal of strengthening their programming and their opportunities for collaboration.

You can view the report here.

Our second recommendation? A major new research report on arts engagement, commissioned by the Ontario Arts Council, and undertaken by Alan S. Brown of Wolf Brown and Ipsos-Reid. The report builds on Brown’s existing body of work on arts engagement, and traces the connection between an individual’s “personal artistic practice” (be it listening to music on the radio, selecting CDs to purchase or tracks to download, taking music lessons, interpreting the work of others while performing as a soloist or in an ensemble, or creating new works of music) and their attendance at live performances. There are some particularly compelling findings about the levels of cultural participation of Ontarians from diverse cultural groups.

And we can’t resist leaving you with this inspiring statement:

“Overall, 95% of all respondents are interested in doing more arts activities than they presently do.”

You can find the report here.

Posted in Orchestra News, Weekly Newsletter, What are you readingComments Off

Follow us on Twitter

Orchestras Canada